kamikaze95:

fileformat:

oh my god

WHAT IS THIS

kamikaze95:

fileformat:

oh my god

WHAT IS THIS

katara:

nentindo:

lordemusic:

david:

Twinsies!?!

dudes i met our leader

lorde this isn’t 2011

drag her

katara:

nentindo:

lordemusic:

david:

Twinsies!?!

dudes i met our leader

lorde this isn’t 2011

drag her

vicradlehead:

this post is the only one that has 12 million notes and it changes all the time. the flubber robin williams, the rogerina, the “reblog if you dont have a tumblr” and the dean winchester gym shorts is literally all the same post and you guys are astonished that it has so many notes every time a new version of it comes around

medicine:

how is obama gon preach non-violence in response to ferguson while he continues to bomb people in somalia, yemen, pakistan, afghanistan, and other countries in the global south and fund billions to israel

tearsnsighs:

Ballet in Rwanda

tearsnsighs:

Ballet in Rwanda

Nicki Minaj is not a woman who easily slides into the roles assigned to women in her industry or elsewhere. She’s not polished, she’s not concerned with her reputation, and she’s certainly not fighting for equality among mainstream second-wave feminists. She’s something else, and she’s something equally worth giving credence to: a boundary-breaker, a nasty bitch, a self-proclaimed queen, a self-determined and self-made artist. She’s one of the boys, and she does it with the intent to subvert what it means. She sings about sexy women, about fucking around with different men. She raps about racing ahead in the game, imagines up her own strings of accolades, and rolls with a rap family notorious for dirty rhymes, foul mouths, and disregard for authority and hegemony.

While Beyoncé has expanded feminist discourse by reveling in her role as a mother and wife while also fighting for women’s rights, Minaj has been showing her teeth in her climb to the top of a male-dominated genre. Both, in the process, have expanded our society’s idea of what an empowered women looks like — but Minaj’s feminist credentials still frequently come under fire. To me, it seems like a clear-cut case of respectability politics and mainstreaming of the feminist movement: while feminist writers raved over Beyoncé’s latest album and the undertones of sexuality and empowerment that came with it, many have questioned Minaj’s decisions over the years to subvert beauty norms using her own body, graphically talk dirty in her work, and occasionally declare herself dominant in discourse about other women. (All of these areas of concern, however, didn’t seem to come into play when Queen Bey did the same.)

larrystylinsons:

you come into my house. you disrespect my 1d order

carelessdistribution:

Mac Demarco // 2014.04.13

carelessdistribution:

Mac Demarco // 2014.04.13

Bright Eyes - Lua
15,947 plays

afailedrevolution:

And I know you have a heavy heart; I can feel it when we kiss. So many men stronger than me have thrown their backs out trying to lift it. But me I’m not a gamble you can count on me to split. The love I sell you in the evening, by the morning won’t exist.

21shells:

DISCIPLINE - LIVING WITH - Ana Kras and Devendra Banhart